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Our History
St. George's Choral Society, comprised of approximately 75 amateur singers and professional section leaders, rehearses on Wednesday evenings from 7:00-9:30 pm in the chapel of St. George's Church in Stuyvesant Square. Directed by Dr. Matthew T. Lewis and accompanied by pianist Dr. Max Midroit, rehearsals provide members an education in vocal technique, music theory, and the art of choral singing. They're also a lot of fun! In addition to annual spring and fall concerts, the Choral Society sponsors a series of Summer Sings featuring distinguished guest conductors from choirs throughout the tri-state area.
Be a part of our legacy—195 years! St. George's Choral Society welcomes voices for all parts, though a brief audition with the director is necessary. If you love singing choral masterpieces with professional leadership, please come join us!
Our past repertoire includes:
Chichester Psalms: Leonard Bernstein
St. Nicholas Cantata: Benjamin Britten
Trois Chansons: Claude Debussy
Requiem: Maurice Duruflé
Stabat Mater: Antonín Dvořák
Te Deum: Antonín Dvořák
Sacred Jazz: Duke Ellington
Magnificat: Nancy Galbraith
Heiligmesse, Lord Nelson Mass, Te Deum: Franz Joseph Haydn
Carmina Burana: Carl Orff
Stabat Mater: Krzysztof Penderecki
Gloria: Francis Poulenc
Petite Messe Solennelle: Gioachino Rossini
Christmas Oratorio: Camille Saint-Saëns
Belshazzar's Feast: William Walton
Hodie: Ralph Vaughan Williams
Matthew T. Lewis, Artistic Director and Conductor
Matthew Lewis maintains an active career as organist, choral conductor, and educator. As artistic director and conductor of St. George’s Choral Society since 2005, he directs the chorus in major works of the repertoire. As organist and director of music the Church of the Incarnation, he directs professional singers in a wide variety of liturgical choral music. Dr. Lewis has also served as organist and choir director at Temple Israel in Lawrence, NY, since 1993.
Dr. Lewis has been a member of the organ faculty of the Juilliard School Pre-College division since 1993, and adjunct assistant professor of organ at Westminster Choir College since 2006. His students range in age from teenagers to graduate students. He has presented solo organ recitals in the United States, Canada, and France, has been a featured artist on WNYC, New York, and has performed the complete organ works of César Franck several times, including at the Cathedral of Saint John the Divine in New York City.
At The Juilliard School, Matthew Lewis completed the doctor of musical arts degree as a student of Jon Gillock. While earning the master of music degree, also at Juilliard, he was the winner of the organ competition, resulting in a performance of Barber's Toccata Festiva with the Juilliard Symphony in Alice Tully Hall. Dr. Lewis is the former recipient of a Fulbright Grant and the Annette Kade Fellowship from the Council of International Education for study in Paris, where he was a student of organ-virtuoso Marie-Madeleine Duruflé. He studied choral conducting with Robert Page.
Max Midroit, Accompanist
Pianist Max Midroit's active career as a soloist, chamber musician, and vocal accompanist has led him to perform at many of New York City's most important venues, such as Weill Recital Hall at Carnegie Hall, Alice Tully Hall, Merkin Hall, Symphony Space, Trinity Church, The Bruno Walter Auditorium of the New York Public Library, The Donnell Library, the 92nd Street Y, and the Skirball Center. He has also appeared at the Kennedy Center and the National Gallery of Art in Washington D.C., Denver's Boettcher Concert Hall, as well as in Germany, the Netherlands, and his native France.
Dr. Midroit has performed live music for animation and silent films at the Walter Reade Theater in Lincoln Center, in a partnership project headed by 2006 Academy Award Winner John Canemaker, director of the animation program at NYU's Tisch School of the Arts. He also recorded Carlos Delgado's Polemics for piano and electronic sounds for the CRI label, as well as music for independent film. He has participated in many world premieres, including Ruth Schonthal's opera Jocasta; performed for the Juilliard Dance Ensemble and the American Repertory Ballet; and collaborated with dancer/choreographer Renata Celichowska at NYU.
At home in many styles and mediums, Dr. Midroit's versatility as a musician has been hailed by critics; the Denver Post noted his "ravishing tone" in a "scintillating" performance of Shostakovich's Second Piano Concerto with the Colorado Symphony, described by NBC’s Channel 4 as "on all accounts brilliant." After his recent performance of rag-style music by Willie (the Lion) Smith, the New York Times commented that Dr. Midroit "played with ferocious speed and sweetness."
Dr. Midroit holds degrees from the Juilliard School (B.M., 1993), Rice University (M.M., 1995), and recently obtained a Ph.D. from New York University (2005) for his analysis of stratification and symmetry in Benjamin Britten's music.
Board Members
Robert Page, Artistic Advisor
Karen Harkenrider, President
Gladys Bart-Williams, Vice President
Alisun Armstrong, Vice President for Public Relations
Pat Rasile, Treasurer
Johanna Goldberg, Secretary
Lucy Gentile
Gene Nadler
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